Sand animation art

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But this language has its own laws and charters, as indestructible as the laws and charters of grammatical speech.

This hieroglyphic language of art develops slowly, with gradual accumulation and gradual change, and the artist’s inner feeling protests against the barbarism of new symbols as well as against the barbarism of the language.

Canonical forms of art in their essence are reduced to the laws of this hieratic language of images. And the work of their development is as unconscious as the work on the development of language.

Art at present can only speak this two-stage language, and recognition of this secondary language of symbols and images is already recognition of the canon, Sand animation art.

The canon in art limits only fiction, Sand animation art.

Fiction, which undoubtedly belongs to the noble properties of the human brain, must be derived from the field of subjective art, which in its essence is a confession of the soul.

The artist’s work should not focus on fiction, because this area should be pre-sent. Each work of individualistic art always has a root that lies in one of the world legends of art, because it is there that lies the key to understanding the Hieratic language.

Individualism can be created only on the basis of tradition, because individualistic art can arise only with a fully developed language of symbols and images.

The spirit of the artist must obey the canon, because by accepting the canon, he thereby participates in folk art and reveals the sources of his unconscious.

First, this narrow and long block of marble was needed in order for Mikeyajagelo to find in her the intense bowstring of his David.

Goethe’s words that creativity is self-restraint should never be forgotten.

The canon in art is not something dead and immutable. He is constantly growing and improving. The contradiction between the living spirit and the canon is the same as that between the gradual development of the human body in general and the constant rhythmic return to it of a fluent spark of individual consciousness that flashes between birth and death.

But the canon is alive and fruitful only when there is a struggle against it, in other words, when the spirit does not fit entirely in its body and the framework of the canon trembles from the strain of internal creative forces.

When there is no struggle against the canon, then there is no art.

Canon is a prison, Sand animation art.

But the great dream of freedom can only be born in prison and chains. The symbol of our - European - freedom - is constrained by Prometheus.

The chains on the body are the wings of our spirit.

Chains are our body.

A dream should come true in a work of art. To incarnate, that is, to consciously bind oneself by the canonically immutable laws of the development of living forms, the facets of birth and death, is diminished in order to grow.

A dream must go through matter and the fall, because every work of art is the fall of a dream.

Goethe says: "The spirit, incarnating, must be darkened and limited."

Earthly death is the joy of God.

He descends into the world to die.

In cultivation, the eternal and seeing spirit must be reduced to periodically enclosing in the shell of five separate senses.