Sand animation films

Sand animation films - If you order a sand show for an event, you can recreate life on the screen from the very first days

It is enclosed in itself and conceals the possibility of the appearance of a whole world. The fact that in the Middle Ages was accessible to the art community, the tener was potentially embedded in the personality. But this potentiality has yet to be revealed.

The seed must decay in the earth to become a great branching tree.

Each great art is based on individualism, but individualism is not self-sufficient, but overcomes itself, renounces itself for the sake of its fruit.

The shields that defended individualism were handwriting, mask and name.

In its further development, individualism will have to overcome its name. This will be the human sacrifice that will raise him to a new level.

Individuality must be poured entirely into a work of art and die in it.

Great folk art is always nameless.

A name only makes sense when it serves as a banner, Sand animation films.

When there is a struggle against ossified forms, banners are necessary. The soul flies after these flaps, diving in the whirlwinds of battle.

But when the struggle has passed and the time has come for creative work, the banner waving over the peaceful workshop becomes a simple commercial advertisement.

Currently, artists no longer need banners. Free searches in art have conquered their existence, but artists continue to try first of all to create a name for themselves - a trademark that would mark everything that came out of the hands of the artist.

In moments of higher development of folk art, the name always disappears. In the 13th century Gothic art there is almost no name.

There was no liberation movement in nineteenth-century art, and there is none to this day; what we call the liberation movement was actually a protective movement: but it was not the tradition of art that was protected here, but the isolated position of artists who stood outside of life. The general feeling was the fear of getting dirty about this factory and philistine life, which filled all forms of life. Artists retreated to philistinism and proclaimed individualism as the dogma of non-merging with life.

The shields that defended individualism were handwriting, mask and name.

In its further development, individualism will have to overcome its name. This will be the human sacrifice that will raise him to a new level.

Individuality must be poured entirely into a work of art and die in it.

Great folk art is always nameless.

A name only makes sense when it serves as a banner, Sand animation films.

When there is a struggle against ossified forms, banners are necessary. The soul flies after these flaps, diving in the whirlwinds of battle.

But when the struggle has passed and the time has come for creative work, the banner waving over the peaceful workshop becomes a simple commercial advertisement.

Currently, artists no longer need banners. Free searches in art have conquered their existence, but artists continue to try first of all to create a name for themselves - a trademark that would mark everything that came out of the hands of the artist.

In moments of higher development of folk art, the name always disappears. In the 13th century Gothic art there is almost no name.

A mask or handwriting in its field is equivalent to a name.

Self-preservation interferes with the general work, which is possible only with a freely established hierarchy of art.