The best Sand-Art works

The best Sand-Art works - If you order a show for an anniversary, you can recreate life on the screen from the very first days

And even if the shape of the flower coincides even with the form already known in humanity, it will still be its own and will not be plagiarized.


What perverted bourgeois mind could think of crazy ideas that an idea might belong to someone? In past centuries, the name plagiarism existed, but it had a completely different meaning than now.


In the XVII century. Pierre Beil gave this definition of plagiarism:


“To plagiarize means stealing from the house not only furniture and paintings, but to take away with it both a broom and dust.” The plagiarist was the one who plundered ideological abodes without taste and indiscriminately.


The one who took with the choice only what is necessary for his work, committed an act quite legitimate.


The individualism of contemporary art, embodied in the name, created the concept of plagiarism, unprecedented in destructive power, The best Sand-Art works.


In addition to these three barriers of modern art, Name, Mask and Plagiarism, painting has another form that serves as the root cause of the modern unprecedented turmoil in the field of fine art.


This is the fact that the entire field of art, which previously created things, has now switched to painting.

Since the visual arts established a self-sufficient form of painting, not associated with any particular place, easily portable, enclosed in any frame, the development of painting has inevitably taken a completely new way.


The painting, which originally existed as a fresco, that is, that took out the entire wall, gradually became a window, cutting a hole in the wall.


At this stage, the picture was in organic connection with the architectural logic of the entire building.


The dimensions, shape and ornament of the frame allow us to trace this architectural dependence of the picture.


But when the factory-industrial movement began in the 19th century, forcing artists to retreat from life, the painting as a form of artwork acquired independent significance and completely lost its connection with the room and the wall.


The painting became a symbolic window of the soul and this gave enormous scope to the development of individualistic art.


But, on the other hand, there was no longer any place for her in a human dwelling filled with modern things - these unbaptized children of philistinism and machinery - Ham and Demon, The best Sand-Art works.